Studio notes

Do you need a new logo, or a clearer brand?

By Ben Dixon

Blue cord moves from a loose tangle into a clear loop on ivory paper.

Before changing how your business looks, get clear on what needs to change for the people you want to reach.

Start with the reason for the change

A new logo can feel like a fresh start. It is visible, tangible and easy to put at the top of a to-do list. But before commissioning one, write down what is actually prompting the change. Has your audience shifted? Has the offer grown? Does the business feel more established than its identity suggests?

“We’ve outgrown it” is a useful beginning, but it needs another sentence. Describe what you can do now that the existing brand no longer communicates. That gives the design work something concrete to respond to.

Separate the message from the expression

If people struggle to explain what your business does, a different typeface is unlikely to resolve the whole problem. You may need a clearer proposition, a better way to describe the service or a more focused audience. These are questions of direction before they become questions of appearance.

If the story is clear but the identity feels inconsistent, dated or difficult to use, the task may be more focused. The work could be a refinement: a better type system, clearer colour roles or a practical set of templates. A complete replacement is only one possible answer.

Look at the moments that matter

Put your current materials next to each other: the homepage, a proposal, a social post and anything a customer receives. Ask what stays consistent and where the message gets lost. Do these things feel like they belong to the same business? Can someone see the offer without you explaining it?

Choose a few real situations to test the next direction against. A logo seen on a large presentation slide has a different job from a small mark on a phone. The identity needs to work where your audience will actually meet it.

Give the project a useful definition of success

Agree what the change should make easier. That might be explaining a new service, presenting a premium product more clearly or helping your team produce consistent materials. These are more useful starting points than “make it pop”.

The best brief leaves room for the right answer. Sometimes that is a new identity. Sometimes it is keeping what people recognise and making the rest work better. Start with the problem, and let the design earn its place.

A good place to start

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